空间生产视域下旅游演艺空间的建构与差异——以《印象刘三姐》和《只有河南》为例

Abstract

Abstract: China’s tourism performing arts has experienced the gradual transformation from theater stage, real stage to mobile stage, and the dissolution of stage boundaries has gradually expanded the performing arts space. Tourism performing arts space is not only the carrier of tourist destination cultural expression, but also contains the production mechanism of tourist experience. In this study, the travel notes and commentary data of the landscape live performance “Impression of Liu Sanjie” and the immersive performance “Only Henan” were collected, and Nvivo12 was used for coding and analysis to discuss the problems of tourism performance space from the perspective of spatial production. Based on the theory of spatial production, tourism performing arts space can be divided into physical space, social space and experience space of tourism performing arts. Tourism performance ternary space has its own unique space production process. Landscape performance and immersive performance have different emphases in the production of each spatial dimens. From the perspective of the overall space production of tourism performing arts, these three dimensions of space are not independent production, but the interaction and close connection between the two spaces, which together constitute the production system of tourism performing arts space.

Key words: spatial production theory, tourism performing arts, tourism space production, Impression of Liu Sanjie, Only Henan

CLC Number:

J892.4

LI Xinjian, HUO Huiling, SONG Changyao. Construction and Differences of Tourism Performing Arts Space from the Perspective of Spatial Production —Take Impression of Liu Sanjie and Only Henan as Examples[J].TOURISM SCIENCE, 2025, 39(10): 42-60.

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Construction and Differences of Tourism Performing Arts Space from the Perspective of Spatial Production —Take Impression of Liu Sanjie and Only Henan as Examples

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